MAY 23 TO JUNE 16, 2018
OPENING RECEPTION: SATURDAY, MAY 26, 10 AM - 5 PM
POETRY READING: SATURDAY, JUNE 02, 2 - 4 PM
MUSIC & SPEAKERS: SATURDAY, JUNE 09, 2 - 4 PM
THE RED HEAD GALLERY, 401 RICHMOND STREET WEST, SUITE 115, TORONTO
Upon entering the gallery, a total of 64 driftwood tree trunks and branches of varying sizes will float before you in 4 different formations. First, you will be drawn into a channel of floating driftwoods, twelve on either side. Each bears some form of natural element, a reminder of the goodness our earth offers when we live with respect for it and our neighbours. Cultures around the world have practiced earthly celebrations for millennia, but in cities we are surrounded by buildings, less connected to nature which can get lost in the metropolises.
My journey to this sculptural installation comes from my history of long walks in nature. The distinctive forms I see sharpen my awareness about whatever I’m working on at the time. Mostly my collections of flotsam wash onto the beaches I have been living by. I am always interested in what oceans or lakes deposit on the shore each day. Driftwood especially, is hauntingly beautiful, often suggesting animal and human forms. It’s difficult to miss the metaphor in today’s world where millions of people are cast out and thrown adrift by wars and growing scarcity due to climate change. Since Systems Failure, my last Red Head Gallery exhibition in September 2016, many important political changes have taken place, further destabilizing the people from the political forces that be.
…Eventually you will come to twelve, ten-foot high driftwood sentinels, symbolic of the world at large. They are facing each other in acknowledgment of our human strengths and weaknesses. Facing them from the centre of the circle stand twelve walking cane sized driftwood sticks representing different forms of modern slavery, also asking for acknowledgment and help.
Daily we are reminded by news reports about the growing disparity between haves and have-nots, inadequate living wages, human trafficking, suffering and shortened life-spans. Those that have, have lifestyles that are dependent on the suffering of others. What does this say about us? Perhaps the discomfort we feel when confronted by this is necessary. It’s only through awareness and a sense of shame or outrage that a demand for change, for improvement, will be kept alive. We’re not giving up our iPhones, but with growing awareness, we can make a difference.
Since Toronto has become such a culturally diverse city this is a great opportunity to hear from the people about what matters to you. I invite every visitor to the gallery to share your views and symbols on the bark-inspired papers provided and place them on the tree trunk which best represents them. So please, spread the word; bring your friends and colleagues. Our crucial (lifestyles) decisions bring us to another Crossroads.
Poetry Reading & Speakers: Saturday, June 02, 2 - 4 PM
Clemence and Ryan Hirons met and married in Rwanda while both were working for an NGO.
Merike Lugus is a published writer and visual artist, with a Master’s degree in Sociology from U of T. She came to Canada as a refugee from Estonia from WWII.
William Woodworth/Raweno:kwas is an adjunct professor at the University of Waterloo School of Architecture where he teaches native culture and architecture. He has a doctorate in Traditional Knowledge from the California Institute of Integral Studies in San Francisco.
Summi Siddiqui is a world traveller who connects cultures and people with her stories.
MUSIC & SPEAKERS: SATURDAY, JUNE 09, 2 - 4 PM
"Dr. Jonathan M. Bordo, Professor of Cultural Studies and the Cultural Studies Doctoral Program at Trent University... is a philosophically trained cultural historian and theorist whose thought is grounded in the philosophical, scientific, religious and aesthetic culture of early modernity (1450 – 1710)… " https://www.trentu.ca/culturalstudies/faculty-research/undergraduate.../jonathan-bordo His thought and work these days is preoccupied by Place and why it matters in the era of digital reproduction and the internet. Among his many essays and writings on art is History Lessons published by Art History and a collection of poems called Art History 101. At present he is finishing some books so he can book out of the academy.
Ming Hoffner came from Zhejiang China in 2002. She has been in Canada for 16 years. Ming is an ECE working in the kindergarten for the Toronto Catholic District School Board. She originally came to Canada to unite with her husband whom she married in China. Before they got married, they had been talking through paper mail for multiple years, without seeing each other face to face. One year after he submitted the application form, she got the immigrant visa and came to Canada. She will speak about her struggles to learn the language and culture and find her place here.